Phonehenge is one of the fabulously done Stonehenge replicas, in the rock-and-roll themed amusement park called the Freestyle Music Park (formerly called as the Hard Rock Park) near Myrtle Beach, South Carolina. It is playfully entitled Phonehenge and surrounds a large performance space in the British Invasion section of the park. The park built on 55 acres was inaugurated in the year 2008 in April as Hard Rock Park, was closed temporarily in September 2008 and was reopened for public visit in May 2009.
A performance area that is well-equipped with lots of red old-fashioned British telephone boxes/booths which are arranged to resemble Stonehenge resembles only a semi-circle structure that includes three inner trilithons. While observing closely, there’s something about each ‘stone’ done up there, with contained spaces which could have been utilized in a more effective way.
The performances which are exclusively featured here are Fire-eater, sword-swallower, and juggler Lukas Dudek. Despite some of its visibly failings and being the less accurate replica, this structure has its own appeal to attract the visitors at the beach, as the Stonehenge replicas and their derivatives around the world, have always been the things of amuse and attraction for the historical and archeological lovers.
Source : Planet Oddity
A Couple renews vows at zombie wedding proved romance really is dead – by renewing their vows at a zombie wedding.
Andy Monaghan and corpse bride Tracey shuffled down the aisle, before promising to care for each other ‘as we decay together’.
Tracey said: 'I promised to take my awful rotting husband and to love and care for you as we decay together so that your rotting, bloated corpse may live for eternity beside me, or until someone removes your head.'
The gruesome groom, 36, was then told: ‘You may eat the bride.’
Guests wore creepy costumes for the ceremony in Worcester, which included the couples' six-year-old son William, who was dressed up as a zombie best man.
Mrs Monaghan, 29, said: ‘I know it’s not everyone’s cup of tea but it’s our fairytale wedding.’
A giant advertising billboard made from 110kg of cheese has been revealed in Covent Garden, London -- bizarrely to promote broadband internet services.
The 5m x 4m cheese sculpture features an image of Speedy Gonzales the cartoon mouse (the only link to cheese we can think of) and the text "Super Speedy Broadband."
Virgin Media say the billboard is made from 10 cheeses and took food artist, Prudence Staite and her 13-strong team eight days to create in a specially chilled studio.
Asked what they made of the advert, some passers-by thought it was 'grate' while others said it 'stinks' adding that the advertising men must be 'crackers'… sorry I camembert any more cheesy puns.
Prudence, from Gloucestershire, said of her work: "I have been asked to craft many a strange thing in my time, but a cheese billboard certainly takes the biscuit, or should I say cracker!
"It was quite a challenge but I am extremely proud that I have helped Virgin Media bring Speedy Gonzales back to the UK."
For any curious cheese fans out there the types used were; Shropshire Blue, Cheshire, Lancashire, Cheddar (mild, medium and mature), Chilli Cheddar, Double Gloucester, Red Leicester and Wensleydale.
Source : Odd News
Penn Jillette's Masturbating Bathtub for Women Awkwardly-coiffed magician Penn Jillette is an inventor. His greatest triumph: a "hydro-therapeutic stimulator" for women with jetstreams directed to "stimulation points (e.g., the clitoris) of the female user when the female user sits in the seat." Meet the Jill-Jet.
Hey ladies, I know what you're thinking: There is nothing sexier than sitting in a giant vat of jetstreaming masturbation. That is why Penn Jillette invented the Jill-Jet.
As the 1999 patent explains, the Jill-Jet is "a spa that includes a dedicated stream of fluid that is directed to specific sensitive areas of a female's genitalia to promote pleasurable (and perhaps climatic) genitalia stimulation and therapeutic relaxation." (He meant "climactic," right?) As far as I can tell, the Jill-Jet is not currently in production, though I imagine there's some kind of after-hours Sharper Image crowd ready to swing it.
Source : Gizmodo
For centuries Japanese have worn beautiful, hand-crafted kimonos, but soon there will be no one left with the skills to make one of the nation's most enduring cultural symbols, say craftsmen.
Yasutaka Komiya, an 84-year-old craftsman, sat on a woven tatami mat floor flicking through piles of exquisitely decorated rainbow-hued silk.
"I started learning how to dye kimono fabrics in this style when I was 12," he said. "A few hundred years ago, thousands of people were doing this. But today? We are one of only three families left in Japan who can do this work."
The kimono industry, which produces one of the most enduring cultural symbols of Japan, is in crisis. Previously sustained by the need to dress an entire nation in traditional costume, it has today shrunk to a fraction of its former size.
Now leading figures in the industry are warning that within a decade the art of traditional kimono making, a crown in Japan's cultural heritage, could die out altogether as a generation of Japanese craftsmen who have spent a lifetime using specialist skills inherited from their own parents are now in their eighties.
Soichi Sajiki, whose family has made the garments for 200 years, said: "Japan's kimono industry is at a critical stage. We are seriously struggling to find ways of passing on our precious craftsmanship to the next generation.
"From the silk cocoon to the final product, there are more than 1,000 processes involved in one kimono, each carried out by different specialist craftsmen. It can take 40 years to master a single technique.
"Most craftsmen today are over 80 and within the next 10 years, many will pass away. We are in real danger of losing thousands of years of kimono-making techniques."
Once the garment of choice for samurai, aristocrats and workers alike, kimonos are rarely worn by today's young Japanese, who prefer to wear Western clothes. Even if a formal occasion does demand a kimono, they are likely to put on machine-made version - much cheaper than a traditional handmade kimono which costs between 180,000 and 1 million yen (£1,400 - £7,800).
As kimonos have gone out of fashion, the number of companies making them in Tokyo has shrunk - dwindling from 217 to 24 over the past 30 years. Even in Kyoto, the historic centre for traditional Japanse culture, there are now just 64 kimono makers left.
Mr Sajiki gave his warning in the refined tearooms of the Mandarin Oriental hotel in Tokyo's historic Nihonbashi district – once a major hub for the industry.
Dressed in an immaculate grey kimono fastened with a jade green clasp, Mr Sajiki, 54, gestured towards the sweeping views from the 38th floor. He said: "Nihonbashi used to be full of kimono makers. But things have changed. Sales are just one tenth of what they were were 30 years ago.
"We desperately need to encourage more young people to embrace the kimono, train more young craftsmen and diversify by selling our beautiful textiles internationally."
Forty-eight carefully selected young Japanese women were due to parade in their kimonos and make speeches about their love of the garment as they competed for the coveted title of Tokyo Kimono Queen - the climax of the city's first ever Kimono Week, launched by Mr Sajiki as chairman of the Tokyo Kimono Business Association.
But the youth and glamour of the accompanying concerts, fashion shows, and exhibitions were far from the staid discipline of Japan's ageing kimono makers. Among the nation's most endangered artisans are five women in their eighties who live in the remote mountains of Niigata prefecture – the only remaining people who know how to use one particular 1,000-year-old hemp weaving technique.
In his workshop in Tokyo, Mr Komiya is the only artisan still able to undertake a delicate form of handpainting kimono silk in pure gold.
His own unique skills have, at least, been recognised by the governemnt, which has granted him the revered status of Living National Treasure – a living, breathing cultural asset to be protected.
Backed with government subsidies, he has been able to pass on the techniques he learnt from his own father to his son Yasumasa, 54, who in turn is training his two grandsons.
"It's important for the kimono industry to evolve and modernise in order to survive," said the younger Mr Komiya. "Traditional craftsmanship should ideally be passed on from generation to generation, but this is not going to be possible in the future."
Kimono makers need to seek customers abroad, said Chie Hayakawa, communications director at the Mandarin Oriental hotel where last week's events were being held.
"Kimonos are exquisitely beautiful, made from the finest silks in the world," she said. "These handcrafted fabrics should be more widely used internationally, with more collaborations with high profile fashion designers. There is so much potential."
A stone's throw from the hotel is the Nihonbashi landmark Mitsukoshi, one of Japan's oldest department stores which began its life in 1673 as a kimono store.
Today, its "kimono salon" spans an entire floor and is home to more than 30,000 handcrafted costumes, one of the biggest collections of handcrafted in the country.
Designs range from seasonal images - cherry blossoms, autumn leaves and sweeping scenes of nature - to delicate abstract patterns created using old dyeing techniques, hand painting or gold embroidery.
Vivid hues such as scarlet are reserved for young women. The unmarried wear long hanging sleeves. Designs for older married women are in more subdued hues, with less flowing sleeves and subtle motifs.
As lunchtime shoppers and office ladies perused the rolls of silk and hanging kimono, Shigeru Tezuka, a manager, said: "We are trying to target young women with more modern products – contemporary designs and bright colours and competitive prices.
"We're also talking to one very famous Italian fashion brand at the moment about a collaboration - to make bags to go with kimonos."
The hope is that Japan's kimono industry might be saved if its products could one day be worn by the world's supermodels.
Dieter Kapsch : Flight attendant has collected 1,760 spoons from 447 airlines
If you're ever short of a spoon you can always rely on Dieter Kapsch – he’s got 1,760 of them.
The flight attendant has amassed his unusual collection from 447 airlines.
Explaining how his unusual hobby started, he said that his first spoon reminded him of a nice holiday and from there it escalated.
He said: 'It all started 13 years ago when I went on vacation with my sister, Gunda, to Spain and she thought it would be good to have a spoon with us during our stay.
'After returning back home she left the spoon with me and I was using it in my kitchen and liked it a lot. It always reminded me of a nice holiday.
'From that point I decided to collect spoons from every airline I was flying with and after some time I wanted to have them all.'
One of his oldest is from Imperial Airways, a British operation that ran from 1924 to 1939, and he also has one from the China Clipper, a Pan Am flying boat of the 1930s.
‘My friends love my collection and they’re very supportive – they have added to it a lot,’ said the 38-year-old Austrian, who added: ‘I hope there will be some more coming.’
Source : Tree Hugger
Cambodians ride a bamboo train, known locally as a lorry, at new village train station in Pusat province 200 km (124 miles) northwest of Phnom Penh October 19, 2010. Cambodia has reopened a stretch of railway destroyed during the country's war and officials described it as a step towards boosting regional trade through rail links with neighbours. The Asian Development Bank is contributing $84 million to a $141 million project to repair 650 km (400 miles) of railway linking Cambodia's capital, Phnom Penh, to its borders with Thailand and Vietnam by 2013. The first section officially opened on Friday runs 120 km (75 miles) southwest from Phnom Penh to Touk Meas in Kampot province, near the border with Vietnam. Picture taken October 19, 2010.
Alik Gershon Israeli chess grandmaster on Thursday began a marathon chess match against 520 players in an attempt to beat the Guinness record for simultaneous chess games, currently held by Iran.
The tournament began in Tel Aviv's Rabin Square with grandmaster Alik Gershon shaking hands with every single player as he walked along rows of tables lined with chess boards.
In order to set the world record, the Ukrainian-born Mr Gershon must win at least 80 per cent of the games.
"I'm going to be breaking the Guinness world record for the biggest simultaneous chess game. The record today belongs to an Iranian grandmaster on 500 boards," Mr Gershon told AFP.
"I'm going to make it 520 and hopefully I will win over 80 per cent of the games."
Training for the event, which is likely to continue through the night and into Friday morning, was purely physical and included a lot of jogging and swimming, the 30-year-old former Israeli champion said.
"There are a lot of kilometres to walk and you have to stay focused," he said, noting that his Iranian rival Morteza Mahjoob walked 40 kilometres (25 miles) to secure his record.
Mr Mahjoob set the current record of 500 games in August 2009 in a feat which took him 18 hours with less than five seconds for each move.
"Hopefully all our wars against Iran will be on the chess board," said a smiling Mr Gershon. "For such wars, I am prepared."
Source : Ynetnew
Cake Face designers Created by artist Ashkan Honarvar, these ideas Reconstructed Cake Faces are both Awesome Birthday Or Wedding Cakes gruesome and delicious.
The art pieces were inspired by the inevitable sufferings that come with violent wars. These faces represent the soldiers from the first world war, who suffered the horror of mutilations to their faces. Check out the featured gallery to see these interesting chocolate pieces by Ashkan Honarvar and prepare to be amazed at its gory yet captivating content.
Source : Trend Hunter
Kubuswoningen, or cube houses, are a set of innovative houses built in Rotterdam and Helmond in The Netherlands, Incredible designed by architect Piet Blom in 1984. The houses in Rotterdam are located on Overblaak Street, and beside the Blaak Subway Station. Blom tilted the cube of a conventional house 45 degrees, and rested it upon a hexagon-shaped pylon. There are 38 small cubes and two so called 'super-cubes', all attached to each other.
As residents are disturbed so often by curious passers-by, one owner decided to open a "show cube", which is furnished as a normal house, and is making a living out of offering tours to visitors.
The houses contain three floors:
* ground floor entrance
* first floor with living room and open kitchen
* second floor with two bedrooms and bathroom
* top floor which is sometimes used as a small garden
The walls and windows are angled at 54.7 degrees. The total area of the apartment is around 100 square meters, but around a quarter of the space is unusable because of the walls that are under the angled ceilings.
Source : Galinsky